The Journey of Returning to Fiction: My New Novel Announcement

Back in 1957, Allen Saunders wrote: Life is what happens to us while we are making other plans. I know John Lennon is credited with the saying, but trust me, Allen said it first. Anyway, my life happened while I was busy planning on writing. You see, for the past nine years, life took me away from the keyboard and the fictional worlds I loved to build. Oh, I spent time doing the things life threw at me: mourning the death of my sister, battling hydrocephalus, working to keep a roof over my head. But without my sister by my side, my inner voice fell silent.

Returning to Contemporary Women’s Fiction

But a storyteller never truly stops spinning tales. The characters just wait patiently in the shadows until it is time to bring them back to life. Today, I’m overjoyed to share that I finally have a brand-new novel coming this November: I’ll Be Seeing You.

If you have read my previous books (If you haven’t, you should.), you know my heart belongs to contemporary stories infused with a touch of the extraordinary. I’ll Be Seeing You is no different.

A Speculative Fiction Story of Hope, Forgiveness, and the Enduring Power of Love

The story follows a disillusioned Manhattan attorney who survives a near-fatal accident, only to find himself haunted by the vivid, unexplainable memories of a soldier killed in World War II. His search for answers leads him out of his cynical world and straight to an elderly widow—a woman whose decades-long, enduring love holds the unexpected key to his own redemption.

A Hauntingly Beautiful Journey of the Heart

Before she passed, I told my sister about the story. She smiled and said, “It’s hauntingly beautiful.”

Yes, it is.

Reach Out for a Free Chapter

I’m currently putting the finishing touches on the manuscript, but I cannot wait to take you on this magical, emotional journey. Connect with me here and I’ll send you Chapter One.

Until then, I’ll be seeing you. Merci.

Plotter vs Pantser: Finding Your Ideal Novel Writing Process

Graphic comparing plotter vs pantser creative writing processes.
Photo courtesy of Pexels/Leah Newhouse

You know where you’re starting from, of course, and possibly where you want to end up, but it’s the in-between that you leave open, allowing for wonderful discoveries along the way. Perhaps you’ll stop for breakfast at a cozy little café or just grab a coffee and donut on the fly. You want to visit the Ball of Twine Museum, but you’ll leave other tourist attractions to how you’re feeling as you go.

The only thing you know for sure is that you must reach your destination before dark, or you’ll end up lost in the woods.

Plotter vs Pantser: What is Your Novel Writing Process?

Writing a novel is incredibly similar to my road trip analogy. In the creative writing world, there is an ongoing debate regarding the creative writing process: Are you a plotter or a pantser?

Plotters map out their entire book, with every detail, twist, and turn recorded before authors put their pens to paper or their fingers to the keyboard. They meticulously plan the beginning, middle, end, and all the loops along the way. A strict plotter wouldn’t stop at the Ball of Twine Museum if it wasn’t already written into their story outline.

Understanding the Pantser Writing Style

And then there are pantsers: the group to which I belong. We write by the seat of our pants, letting the story structure develop organically. Yes, we know the beginning and the ending we’d like to reach, but the in-between—well, it’s up for grabs. Perhaps we’ll stop at the Ball of Twine Museum or just continue on our way to the Rubber Band Museum.

Sometimes our characters will take us places we hadn’t planned on going. It’s fun. And exhausting. Because at these times, pantsing writers can find themselves stuck in the “soggy middle” of a manuscript with no gas left in the tank.

Finding the Middle Ground: Becoming a Plotting Pantser

Because getting lost in the woods wastes time, I’m working on a hybrid approach: becoming a plotting pantser (often called a “plantser”). My new strategy is to map out a flexible chapter outline but still allow my characters to offer suggestions for spontaneous side trips. I’d really like to visit that Rubber Band Museum, but, just in case, I’ll keep a basic map at my side so I don’t lose my way.

What about you? Do you prefer a detailed roadmap when writing, or do you like to see where the road takes you? Drop a comment below and tell me your style?

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Demystifying Women’s Fiction: History, Definitions, and Misconceptions

When people ask what genre I write, I always answer: Women’s Fiction.

“What is that?” they usually ask.

I tell them Women’s Fiction is a genre where the protagonist—typically female—faces obstacles that deeply challenge her mental, emotional, and possibly physical well-being. I use the word typically because the genre is shifting. Today, we see a growing number of male protagonists leading these deeply emotional journeys yet being placed in the Women’s Fiction category. Think Nicholas Sparks. Because, after all, emotional depth and personal trauma aren’t exclusive to women.

The Industry Definition

To understand the history, we first look at how the publishing world defines the genre. The Women’s Fiction Writers Association defines Women’s Fiction is stories where the plot is driven by the protagonist’s internal emotional journey toward a more fulfilled self.

Women’s Fiction is Not Romance

Women’s Fiction is not the same as Romance. In a romantic novel, there is something known as the “A-Plot,” which is the main driver of the book. In Romance, that A-Plot is the evolving relationship between the two fated love interests. It is critical to note that in the Romance genre, the story must end in a Happily Ever After (HEA) or a Happy For Now (HFN).

In Women’s Fiction, the A-Plot is the protagonist’s personal growth, career progression, or family dynamic. Romance takes a back seat and becomes the “B-Plot”. In this genre, a happy romantic ending is never guaranteed.

And a happy ending is never guaranteed.

A Quick History of Women’s Fiction

The evolution of Women’s Fiction directly reflects the changing role of women in society. The genre’s history can be traced through three distinct phases: [1]

The 19th Century Originally, Women’s Fiction meant, quite simply, fiction written by women. Icons like Jane Austen and Charlotte Brontë were pioneers of their time. However, the industry back then assumed only women would want to read these domestic, emotionally driven stories, such as Pride and Prejudice and Jane Eyre.

The Late 20th Century (Fiction “For” Women): This era saw a progression from books written by women to books packaged for women. Driven by a massive marketing shift, publishers realized that women were—and still are—the largest book-buying demographic. The genre became a commercial umbrella covering everything from lighthearted “Chick Lit” to sprawling family stories. Think of Bridget Jone’s Diary by Helen Fielding, or Amy Tan’s The Joy Luck Club. Unfortunately, during this shift, the true meaning of Women’s Fiction got lost in translation; Romance novels and general Book Club picks were frequently grouped under this same commercial label.

The 21st Century: Now in the twenty-first century, Women’s Fiction is reclaiming its identity. It highlights stories written for a modern audience without the mandatory trappings of a standard romance. These are deep narrative stories focusing on growth, empowerment, survival, and the universal aspects of humanity. They explore deep emotional trauma and all the messy, beautiful complexities that occur in life. Modern novels include The Women by by Kristin Hannah and Liane Moriarty’s Big Little Lies. Even Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo fits here.

Expanding the Borders: The Modern Shift

The focus on internal human emotional journeys—rather than a character’s gender—is exactly why the boundaries are blurring today. Because men experience profound grief, isolation, and mental health struggles too, the genre has expanded. A perfect example of this modern crossover is Fredrik Backman’s bestselling novel, A Man Called Ove. ,

By focusing on the internal journey over external tropes, modern Women’s Fiction has transformed from a restrictive marketing label into a beautiful celebration of human resilience.

Conclusion: The True Heart of Women’s Fiction

Ultimately, Women’s Fiction is so much more than a shelf in a bookstore or a clever marketing label. It is a genre defined not by the gender of its writer or its protagonist, but by the sheer depth of its emotional exploration. Whether dealing with a woman’s battle for survival, a man’s journey through grief, or the complexities of human relationships, these stories hold up a mirror to our own vulnerabilities and triumphs, that go far beyond gender.

Now it’s your turn. I want to hear from you. What is your favorite book in this genre? Drop your recommendations in the comments below—I am always looking to add to my must-read pile!

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